𝗗𝗲𝗹𝗶 𝗚𝗶𝗿𝗹𝘀 | OUT.FEST 2026

An incendiary entity out of New York, led by Dan Orlowski alongside Hatechild and newly joined drummer John Bemis (Murderpact), with a vast, ever-shifting network of collaborators in production, Deli Girls operate in a space of queer, freak, and conscious sonic activism/terrorism, distilled into a furiously celebratory form driven by gabber velocity, shredded screamo vocals, hyperreal visions and multitudes, noise, and a punk as fuck stance that hurls firecrackers at patriarchal structures while claiming space for both the dancefloor and the mosh pit. A long-awaited return to Portugal, following appearances that left their mark on retina and bone.

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An incendiary entity out of New York, led by Dan Orlowski alongside Hatechild and newly joined drummer John Bemis (Murderpact), with a vast, ever-shifting network of collaborators in production, Deli Girls operate in a space of queer, freak, and conscious sonic activism/terrorism, distilled into a furiously celebratory form driven by gabber velocity, shredded screamo vocals, hyperreal visions and multitudes, noise, and a punk as fuck stance that hurls firecrackers at patriarchal structures while claiming space for both the dancefloor and the mosh pit. A long-awaited return to Portugal, following appearances that left their mark on retina and bone.

+ info & bilhetes / tickets ➟ outfest.pt

📷 Andrew Hallinan

𝗧𝗡𝗟 | OUT.FEST 2026

An alliance between Tiago Carneiro, aka Tendency, and Nuno Loureiro, both key figures in Porto’s movida, set out to dismantle fixed ideas of what a DJ set can be. Processing in real time, through sampling and effects, the carefully chosen selections from Carneiro’s extensive record collection, Loureiro reshapes their internal realities into a new dimension: a mutable liminal space between live set and DJ set. “Live Mix at Donau”, a recording captured from their first live appearance and released on Out Of Order, marks a point of departure for this field of possibilities, drawing on the histories inscribed in vinyl — from the hardcore continuum to ambient music and electronic abstraction — and reconfiguring them into a continuously unfolding flow.

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An alliance between Tiago Carneiro, aka Tendency, and Nuno Loureiro, both key figures in Porto’s movida, set out to dismantle fixed ideas of what a DJ set can be. Processing in real time, through sampling and effects, the carefully chosen selections from Carneiro’s extensive record collection, Loureiro reshapes their internal realities into a new dimension: a mutable liminal space between live set and DJ set. “Live Mix at Donau”, a recording captured from their first live appearance and released on Out Of Order, marks a point of departure for this field of possibilities, drawing on the histories inscribed in vinyl – from the hardcore continuum to ambient music and electronic abstraction – and reconfiguring them into a continuously unfolding flow.

+ info & bilhetes / tickets ➟ outfest.pt

𝗞𝗹𝗲𝗶𝗻 | OUT.FEST 2026

Regresso ao OUT.FEST desta figura icónica e continuamente surpreendente dos nossos tempos, num momentum criativo imparável que, só considerando tempos recentes, nos abençoou com os álbuns 'thirteen sense' e 'sleep with a cane', para além de várias malhas avulsas no seu Bandcamp. Dona de uma abordagem intuitiva e exploratória, ferozmente independente, Klein tem manipulado o código genético de diversas músicas - r&b, ambient, shoegaze, industrial, noise - numa visão iconoclasta marcada pela disrupção da iconografia popular e um olhar inquisitivo a sistemas de opressão pela sua via mais emocional e hipnótica, capaz de universalizar as vivências mais particulares.

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A return to OUT.FEST from one of the most distinctive and continually surprising figures working today, in the midst of an unstoppable creative momentum that, even just in recent months, has yielded albums such as “thirteen sense” and “sleep with a cane”, alongside a steady stream of standalone tracks on her Bandcamp.
Working through an intuitive, exploratory, and fiercely independent approach, Klein has been reshaping the genetic code of multiple musical forms – R&B, ambient, shoegaze, industrial, noise – within an iconoclastic vision marked by the disruption of popular iconography and an inquisitive gaze toward systems of oppression at their most emotional and hypnotic register, capable of universalising the most intimate experiences.

+ info & bilhetes / tickets ➟ outfest.pt

𝗦𝗵𝗮𝗻𝗲 𝗣𝗮𝗿𝗶𝘀𝗵 "𝗔𝘂𝘁𝗲𝗰𝗵𝗿𝗲 𝗚𝘂𝗶𝘁𝗮𝗿" | OUT.FEST 2026

Against the idea that the guitar’s potential has already been exhausted, Shane Parish has been carving out an exemplary body of work on the instrument that, without resorting to grand gestures, quietly disproves that claim. A guitarist, composer, improviser, and educator, he builds a language grounded in a deep knowledge of history, its canons and forms, projected into the present, whether through his work with Ahleuchatistas and the Bill Orcutt Guitar Quartet or in his solo acoustic practice, where he engages both the Appalachian songbook and visionaries such as Ornette Coleman and Aphex Twin.
Earlier this year he released the surprising and self-explanatory “Autechre Guitar”, where the somewhat unthinkable transcription of 1990s electronic music by the pioneering Sheffield duo reveals the melodic and emotional core — so often overlooked — of pieces from Amber and Tri Repetae, in what is most essential about them. One of those records you just HAVE to listen to.

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Against the idea that the guitar’s potential has already been exhausted, Shane Parish has been carving out an exemplary body of work on the instrument that, without resorting to grand gestures, quietly disproves that claim. A guitarist, composer, improviser, and educator, he builds a language grounded in a deep knowledge of history, its canons and forms, projected into the present, whether through his work with Ahleuchatistas and the Bill Orcutt Guitar Quartet or in his solo acoustic practice, where he engages both the Appalachian songbook and visionaries such as Ornette Coleman and Aphex Twin.
Earlier this year he released the surprising and self-explanatory “Autechre Guitar”, where the somewhat unthinkable transcription of 1990s electronic music by the pioneering Sheffield duo reveals the melodic and emotional core – so often overlooked – of pieces from Amber and Tri Repetae, in what is most essential about them. One of those records you just HAVE to listen to.

+ info & bilhetes / tickets ➟ outfest.pt

📷 Scott Hubener

𝗛𝗲𝗹𝘃𝗶𝗼𝗳𝗼𝘅 | OUT.FEST 2026

Having already established a distinctive artistic voice within the world of Batida and the extended Príncipe family, Helviofox confirmed all the promise of his earlier EPs, standalone tracks and remixes with ‘Rodeado de Batida’. A member of the TLS crew and the younger brother of Dadifox and Erycox, whose work he openly cites as a formative influence, Helviofox began producing his first tracks at just thirteen years old. Since then, his music has steadily evolved, carving out its own space and poetic language through the elegant interplay of propulsive rhythms, liquid keyboards, dreamlike melodies and grooving basslines, bringing fresh momentum to a musical DNA that continues to unfold.

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Having already established a distinctive artistic voice within the world of Batida and the extended Príncipe family, Helviofox confirmed all the promise of his earlier EPs, standalone tracks and remixes with ‘Rodeado de Batida’. A member of the TLS crew and the younger brother of Dadifox and Erycox, whose work he openly cites as a formative influence, Helviofox began producing his first tracks at just thirteen years old. Since then, his music has steadily evolved, carving out its own space and poetic language through the elegant interplay of propulsive rhythms, liquid keyboards, dreamlike melodies and grooving basslines, bringing fresh momentum to a musical DNA that continues to unfold.

+ info & bilhetes / tickets ➟ outfest.pt

📷 Marta Pina

𝗪𝗵𝗶𝘁𝗻𝗲𝘆 𝗝𝗼𝗵𝗻𝘀𝗼𝗻, 𝗟𝗶𝗮 𝗞𝗼𝗵𝗹, 𝗠𝗮𝗰𝗶𝗲 𝗦𝘁𝗲𝘄𝗮𝗿𝘁 | OUT.FEST 2026

At the culmination of an artistic residency taking place at AMAC, this trio, whose collective CV commands respect (with paths that span composition, improvisation, and collaborations with some of the most restless figures in the Chicago scene), appears at OUT.FEST surrounded by admiration and the ongoing chorus of praise for “BODY SOUND”, released earlier this year on the ever-reliable International Anthem label.
Partindo de improvisações para um trio de cordas – violino, viola e violoncelo – e vozes, em conluio com o processamento de fita analógica, excedem largamente as mais expectáveis limitações da música de câmara para erguer um corpo de som de presença densa e inquieta. No enlace entre harmonias vocais, repetições, melodias encantatórias e passagens sinuosas, acaba por emergir algo que se reconhece como memória sem o ser: uma música absolutamente sua, sem tempo e sem lugar, uma forma de tradição sem origem que raras vezes se deixa assim intuir.

[Within the scope of the tekhnē project, co-funded by the European Union]

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At the culmination of an artistic residency taking place at AMAC, this trio, whose collective CV commands respect (with paths that span composition, improvisation, and collaborations with some of the most restless figures in the Chicago scene), appears at OUT.FEST surrounded by admiration and the ongoing chorus of praise for “BODY SOUND”, released earlier this year on the ever-reliable International Anthem label.
Working from improvisations for a string trio – violin, viola, and cello – and voices, in interplay with analog tape processing, they far exceed the expected limitations of chamber music to shape a sound of dense, unsettled presence. In the interplay of vocal harmonies, repetition, incantatory melodies, and sinuous passages, something emerges that registers as memory without being so: a music entirely their own, without time or place, a form of tradition without origin that only rarely allows itself to be sensed in this way.

[Within the scope of the tekhnē project, co-funded by the European Union]

+ info & bilhetes / tickets ➟ outfest.pt

📷 Leah Wedzinski